LIGHTWEIGHT AND AVAILABLE IN ANY SIZE

Over the years, we have had the privilege of collaborating on numerous projects with renowned individuals from around the globe.

These collaborations have allowed us to showcase our expertise and deliver exceptional results in diverse industries and sectors.

We are proud to have contributed to the success of these projects and look forward to continuing our partnerships worldwide. The areas of application offered by our FLEXMIRROR® are as diverse as this idea. With their minimal weight, brilliance, freedom from distortion and indestructibility, our lightweight mirrors provide you with a wide range of applications that would not be possible with conventional crystal mirrors. Our mirrors open up unprecedented possibilities in the contract sector, fair construction, museums and theatres, and private living areas.  

Whether for large art installations, theatre productions, trade fairs, retail stores or, last but not least, private homes. Reflectors create an entirely new sense of space. The space appears larger and brighter and, depending on how the mirror is used, it sets the scene for objects or products or is discreet in the background.

Time and again, renowned international artists use FLEXMIRROR® in projects and mirror famous locations such as the Tate Modern in London or the Louis Vuitton Museum in Paris.

International companies across all sectors present their products at trade fairs with the effect of a distortion-free mirror image and a larger-looking exhibition stand, or make use of the magic of animated images or films behind the FLEXMIRROR® semi-transparent mirror.  

Not only do our products feature in architectural, art, or event projects, but they can also be used in the leisure, sports, and therapy sectors. Our customers enjoy the convenient features that come with our lightweight mirrors.

We developed our exceptional products to make mirrors even easier to handle for these practical applications. Therefore, the FLEXMIRROR® is offered as a mobile mirror with castors, as a folding mirror, or as a wall mirror, which can be hung on the wall like a big painting thanks to its minimal weight.

Examples include dance or fitness studios, riding or sports halls, doctors‘ or physiotherapists‘ surgeries. Considering all these references, the economical aspect is of course an important criterion as to what material is used in a project. Thanks to our optimised manufacturing and the lower substructure costs due to its low weight, we are also the better alternative to glass in terms of cost. Regardless of the application you choose or the project you want to implement with our mirrors, our experienced and highly trained team is ready to offer you individual consulting and installation services worldwide, depending on your wishes and the project’s scope.

 Reflective panels, mounted on an aluminium frame and suspended from a twenty-metre-high concrete vault ceiling in the museum, formed a large square pyramid that floated two and a half metres above the museum’s floor. A spotlight positioned above the pyramid’s open apex cast a bright circle of light through the pyramid onto the floor below. 

The reflection visually completes the circular forms, producing virtual rings that appear to traverse the boundary between the actual space and the reflected space. This doubled world, seemingly united by the illusion of the floating rings, generates a subtly destabilising and uncanny effect. 

Upon closer inspection, it becomes clear that this illusion has been created by mounting a semicircular tube to a mirror. The reflection visually completes the circular form, producing a virtual ring that appears to pass from the actual space into the reflected space. Both the viewer and her surroundings are subsumed into the artwork by the mirror, and this doubled world, in combination with the slight tilt of the ring, generates a subtly destabilising and uncanny effect. 

A large circular mirror, affixed at an angle to the ceiling, rotates slowly on its axis, destabilizing the visitors’ perception of space and turning the viewer into an active co-producer of the work. 

In the inner courtyard of Stadt Aussen , Olafur Eliasson installed walls of mirror foil reaching up to its latticed skylight, thus generating a kaleidoscopic space that infinitely reflected the metal framework and the daylight from above. The mirror foil panels were supported by exposed scaffolding. Collapsing inner space and outside, Mikroskop realised a central aspect of the exhibition which closely concerned itself with the relationship between museum and city, architecture, space and perception.